Anecdote Photography

25th August 2014

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25th August 2014

JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.
JASE (Soul for Real) Portraits
Portrait session with different looks for JASE (Soul for Real) new music production.
JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.
The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.

JASE (Soul for Real) Portraits

Portrait session with different looks for JASE (Soul for Real) new music production.

JASE is the lead singer of the platinum selling R&B quartet Soul For Real. We went for a few solo portraits and then introduced the gorgeous model Praneeta Nagraj to tell a short story (film style) that could go on a magazine spread.

The entire shoot was done in approximately 3 hours in his personal studio and walking around the block in midtown Manhattan. Here’s what he said about the shoot.

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22nd August 2014

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22nd August 2014

My Rose
This is what we do on a random boring afternoon.
I used a Nikon D90 with a 50mm 1.8 lens. Natural light coming out of a window behind me. The roses were placed on a cardboard with a hole in it and Erika did her own make up. The whole post processing was made on Photoshop CS6.
From planning to production it took us around 2 hours to put everything together.
My Rose
This is what we do on a random boring afternoon.
I used a Nikon D90 with a 50mm 1.8 lens. Natural light coming out of a window behind me. The roses were placed on a cardboard with a hole in it and Erika did her own make up. The whole post processing was made on Photoshop CS6.
From planning to production it took us around 2 hours to put everything together.

Before and After

My Rose

This is what we do on a random boring afternoon.

I used a Nikon D90 with a 50mm 1.8 lens. Natural light coming out of a window behind me. The roses were placed on a cardboard with a hole in it and Erika did her own make up. The whole post processing was made on Photoshop CS6.

From planning to production it took us around 2 hours to put everything together.

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22nd August 2014

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22nd August 2014

Tras la pista de un beso
Personal project I did with my beautiful wife film noir style.
It’s about a lead of lipstick left on a glass at the scene of a crime that turns out to be from a very self confident and seductive suspect, and then there’s the detective who can’t resist her charms. We had a lot of fun making it and I think Erika was on the spot the entire time, phenomenal interpretation.
It only took us around 1 hour of planning and 1 hour of shooting, the post processing was done on Lightroom 5 and the retouching on Photoshop CS6.
I used a Nikon D90 with a 35mm 1.8 lens, two flashes Yongnuo and Nikon SB600, one of them trough the blinds of the window to create the background stripe pattern and the other one with a home made snoot to focus the light on Erika’s face.

We have a lead

Tras la pista de un beso
Personal project I did with my beautiful wife film noir style.
It’s about a lead of lipstick left on a glass at the scene of a crime that turns out to be from a very self confident and seductive suspect, and then there’s the detective who can’t resist her charms. We had a lot of fun making it and I think Erika was on the spot the entire time, phenomenal interpretation.
It only took us around 1 hour of planning and 1 hour of shooting, the post processing was done on Lightroom 5 and the retouching on Photoshop CS6.
I used a Nikon D90 with a 35mm 1.8 lens, two flashes Yongnuo and Nikon SB600, one of them trough the blinds of the window to create the background stripe pattern and the other one with a home made snoot to focus the light on Erika’s face.

She's the usual suspect

Tras la pista de un beso
Personal project I did with my beautiful wife film noir style.
It’s about a lead of lipstick left on a glass at the scene of a crime that turns out to be from a very self confident and seductive suspect, and then there’s the detective who can’t resist her charms. We had a lot of fun making it and I think Erika was on the spot the entire time, phenomenal interpretation.
It only took us around 1 hour of planning and 1 hour of shooting, the post processing was done on Lightroom 5 and the retouching on Photoshop CS6.
I used a Nikon D90 with a 35mm 1.8 lens, two flashes Yongnuo and Nikon SB600, one of them trough the blinds of the window to create the background stripe pattern and the other one with a home made snoot to focus the light on Erika’s face.

Always defiant

Tras la pista de un beso
Personal project I did with my beautiful wife film noir style.
It’s about a lead of lipstick left on a glass at the scene of a crime that turns out to be from a very self confident and seductive suspect, and then there’s the detective who can’t resist her charms. We had a lot of fun making it and I think Erika was on the spot the entire time, phenomenal interpretation.
It only took us around 1 hour of planning and 1 hour of shooting, the post processing was done on Lightroom 5 and the retouching on Photoshop CS6.
I used a Nikon D90 with a 35mm 1.8 lens, two flashes Yongnuo and Nikon SB600, one of them trough the blinds of the window to create the background stripe pattern and the other one with a home made snoot to focus the light on Erika’s face.

And using her charms

Tras la pista de un beso
Personal project I did with my beautiful wife film noir style.
It’s about a lead of lipstick left on a glass at the scene of a crime that turns out to be from a very self confident and seductive suspect, and then there’s the detective who can’t resist her charms. We had a lot of fun making it and I think Erika was on the spot the entire time, phenomenal interpretation.
It only took us around 1 hour of planning and 1 hour of shooting, the post processing was done on Lightroom 5 and the retouching on Photoshop CS6.
I used a Nikon D90 with a 35mm 1.8 lens, two flashes Yongnuo and Nikon SB600, one of them trough the blinds of the window to create the background stripe pattern and the other one with a home made snoot to focus the light on Erika’s face.

I think the case is closed

Tras la pista de un beso
Personal project I did with my beautiful wife film noir style.
It’s about a lead of lipstick left on a glass at the scene of a crime that turns out to be from a very self confident and seductive suspect, and then there’s the detective who can’t resist her charms. We had a lot of fun making it and I think Erika was on the spot the entire time, phenomenal interpretation.
It only took us around 1 hour of planning and 1 hour of shooting, the post processing was done on Lightroom 5 and the retouching on Photoshop CS6.
I used a Nikon D90 with a 35mm 1.8 lens, two flashes Yongnuo and Nikon SB600, one of them trough the blinds of the window to create the background stripe pattern and the other one with a home made snoot to focus the light on Erika’s face.

Before and After

Tras la pista de un beso

Personal project I did with my beautiful wife film noir style.

It’s about a lead of lipstick left on a glass at the scene of a crime that turns out to be from a very self confident and seductive suspect, and then there’s the detective who can’t resist her charms. We had a lot of fun making it and I think Erika was on the spot the entire time, phenomenal interpretation.

It only took us around 1 hour of planning and 1 hour of shooting, the post processing was done on Lightroom 5 and the retouching on Photoshop CS6.

I used a Nikon D90 with a 35mm 1.8 lens, two flashes Yongnuo and Nikon SB600, one of them trough the blinds of the window to create the background stripe pattern and the other one with a home made snoot to focus the light on Erika’s face.

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